artists' periodicals

A Bibliography of Artists' Periodicals

& Related Printed Matter

Stephen Perkins and Marie Boivent

[a work in progress]

Table of contents

1- Books about Artists’ Periodicals

2- Books about one periodical

3- Articles about Artists’ Periodicals

3.a General

3.b Articles about Individual Artists’ Periodicals

3.c Interview/artists’ writings about Individual Artists’ Periodical

3.d Articles on assembling magazines

3.e Articles on Mail Art Magazines

3.f Articles on Fluxus Publications

4- Magazine Exhibitions with Exhibition Catalogues (unless otherwise noted as not having a catalogue)

4.a- Exhibitions: Group Magazine Exhibitions, artists’ periodicals, art journaux

4.b- Exhibitions: One Magazine

4.c- Exhibitions: Mail art magazines, zines

4.d- Exhibitions: Assembling Periodicals

4.e- Exhibitions: Fanzines, zines and queer zines

4.f- Exhibitions: Art Press and Art Magazines

4.g- Exhibitions: Small Press + Little Press, [Small Magazines] + Little Magazines

4.h- Exhibitions: Independent Pop culture magazines

4.i- Exhibitions: Alternative and Independent Architectural Publishing

5- PhD and MA about artists’ periodicals

5.a- PhD

5.b- MA

6- Art Magazine special issues devoted to artists periodicals and magazines

7- Conference and Panels Sessions Devoted to Artists’ Periodicals

8- Book and Magazine Reviews [on books] related to magazines

8.a- Book and Magazines reviews of artists' magazines.

9- Art Magazine special issues with ‘artists’ pages / magazine as exhibition

10- Facsimile Editions

11- Underground/Alternative Magazines

11.a- Books

11.b- Books on independent, pop culture, riot grrrl, fanzines, zines, queerzines and style press magazines

11.c- Articles on independent, pop culture, riot grrrl, fanzines, zines, feminist, lesbian, and style press magazines, alternative press

11.d- Articles on Activist Arts Magazines

11.e- Alternative Comix

12- Miscellaneous

13- Little Magazines

13.a- Books

13.b- Articles

14- Artists’ Books

15- Network / Mail Art books, articles

16- Articles/writings about Individual People

17- The Text, The Page, The Magazine Page

18- Other Related Books

19- Other Exhibition Catalogues: Printed Matter, Avant-garde, Fluxus, graphzines, etc...

_________________________________________________

1- Books about Artists’ Periodicals

Aarons E., & Andrew Roth (eds). In Numbers: Serial Publications by Artists Since 1955. JRP/Ringier & PPP Editions, 2009. Text by Victor Brand.

Allen, Gwen. Artists’ Magazines: An Alternative Space for Art. Cambridge: MIT Press, 2011.

Allen, Gwen (ed). The Magazine. London: MIT Press, 2015.

Boivent, Marie & Stephen Perkins (eds). The Territories of Artists’ Periodicals, Rennes/De Pere: Editions Provisoires & Plagiarist Press, 2015.

Boivent, Marie, La revue d’artiste: enjeux et spécificités d’une pratique artistique. Rennes, Incertain Sens, 2015.

Heller, Steven. Merz to Émigré and Beyond: Avant-Garde Magazine Design in the Twentieth Century. New York: Phaidon, 2003.

Perneczky, Géza. Assembling Magazines: 1969-2000. Koln: Soft Geometry, 20014.

Perneczky, Géza The Magazine Network: The trends of alternative art in the light of their periodicals 1968-1988. Koln: Soft Geometry, 1993.

Perneczky, Géza, A Háló: Alternatív müvészeti áramlatok a folyóirat-kiadványaik tükrében 1968-1988, Héttorony Kiadó, Budapest, 1991.

Seita, Sophie, Provisional Avant-Gardes: Little Magazine Communities from Dada to Digital, Stanford University Press, 2019.

2- Books about one periodical

Brittain, David. Eduardo Paolozzi at New Worlds: Science Fiction and Art in the Sixties. Manchester: Savoy Books, 2013.

Bugnone Ana, La Revista Hexagono ’71: 1971-1975, La Plata, Universidad de La Plata, Centro de Arte Experimental Vigo, 2014.

Carvalho, Ana Maria Albani de (Org.). Espaço N.O., Nervo Óptico. Rio de Janeiro: Funarte, 2004.

Castellin, Philippe, Doc(k)s mode d’emploi. Histoire, formes & sens des poésies expérimentales au XX^e siècle, Paris, Al Dante / &, 2002.

Duncan, Michael and Kristine McKenna. Semina Culture: Wallace Berman and His Circle. Santa Monica Museum of Art, 2005. Travels to 5 other locations 2005-2007. New York: D.A.P./Distributed Art Publishers, Inc., 2005.

Ford, Charles Henri (ed). View: Parade of the Avant-Garde 1940-1947. New York: Thunder’s Mouth Press, 1991. [Anthology of articles from this periodical]

Gutierrez, Roberto “Histoire de Plages”, Plages n° 42, 1988.

Hugunin, James, Theron Kelley and Leslie Hugunin, The Dumb Ox: A Quarterly Art Journal, 1976-1980, Volume One (Selections from issues #1 - #6/7), James R. Hugunin, 2014.

Hugunin, James, Kenon Breazeale and Janice Tieken, The Dumb Ox: A Quarterly Art Journal, 1976-1980, Volume Twop (Selections from issues #8 - #10/11), James R. Hugunin, 2014.

Katzeff, Mirima, Thomas Lawson and Susan Morgan. Real Life Magazine: Selected Writings and Projects 1979-1994. New York: Primary Information, 2006.

Kostelanetz, Richard (ed). Assembling Assembling. New York: Assembling Press, 1978.

Leak, Darren and Bianca Chu (eds), Signals. Curators: Darren Leak and Bianca Chu, April, 27 - 13, July, Sotheby's, London, 2018.

Perkins, Stephen. Smile Magazine; Collective Identities and the Mechanics of Historicization. De Pere: Plagiarist Press, 1999/2012. [pamphlet]

Perry, Mark (ed). Sniffin Glue: The Essential Punk Accessory. London: Sanctuary Publishing, 2000.

Politi, Giancarlo and Helena Kontova (eds). Flash Art: Two Decades of History, XXI Years. Cambridge: MIT Press, 1990.

Prestaeter, Ellef (ed), There are the Situationist Times! An Inventory of Reproductions, Deformations, Modifications, Derivations, and Transformations, Torpedo Press, Oslo, Norway, 2019.

Sandback, Amy Baker (ed). Looking Critically: 21 Years of Artforum Magazine. Ann Arbor: UMI Research Press, 1984.

SMS: A Collection of Original Multiples. Reinhold-Brown Gallery, New York,1988. An inventory/sales catalogue of the complete set after William Copley made a gift in 1981 of the remaining sets to the New Museum of Contemporary Art, New York. [pamphlet]

Walsh, Maria and Mo Throp (eds). Twenty Years of Make Magazines: Back to the Future of Women’s Art. London: I.B. Tauris, 2015.

3- Articles about Artists’ Periodicals

3.a. General

deAk, Edit, "Alternative Periodicals", in Bridget Reak-Johnson (ed.), The New Arts Space: A Summary of Alternative Arts Organizations Prepared in Conjunction with a conference, April 26-29, 1978, Los Angeles Institute of Contemporary Art, 1978, 38-40. [*G.A.]

Alberro, Alex, "Inside the White Box," Artforum, September, 201, pgs. 170-174.

Allen, Gwen L., Experiments in Print: A Survey of Los Angeles Artists’ Magazines from 1955 to 1968, East of Borneo, Feb. 6, 2011 [note: online magazine - http://www.eastofborneo.org]

Allen, Gwen, "Art Periodicals and Contemporary Art Worlds, Part 1: Critical Publicity in a Global Context," Vol. 5, #3, ARTmargins, 2016, p. 35-61.

Allen, Gwen, "Art Periodicals and Contemporary Art Worlds, Part 2: Critical Publicity in a Global Context," online (ONLY??) ARTmargins, 2016.

Allen, Jane, "Art Publication Explosion: Swing to the Left and Regionalist Challenge,"The New Art Examiner, Vol., 3, #5, February 1976, p.1 & 19.

Baumann, Daniel "Kiosk, Xerox and Self-Empowerment–An Outline of the History of the Artists’ Magazine", Kiosk: Modes of Multiplication, Christoph Keller, Michael Lailach (eds.), Zurich, JRP/Ringier, 2009, p. 155-167.

Beckett, Jane, "Dada and Surrealism," in, Fawcett, Trevor and Clive Phillpot (eds). The Art Press: Two Centuries of Art Magazines, London: The Art Book Company, Art Documents Number One, 1976, pgs. 33-39.

Bibby, Samuel. ""The Assemblage of Specimens"": The Magazine as Catalogue in 1970s Britain,"

British Art Studies, #14, November, 2019. Article available on: https://doi.org/10.17658/issn.2058-5462/issue-14/sbibby

Boivent, Marie, « Accélérations, rétrospections, anticipations : le temps en jeu dans les revues d’artistes », Marges, revue d’art contemporain, n° 19, novembre 2014, p. 128-146.

Boivent, Marie, « Algumas questões sobre as revistas de artista », Portuguese Small Press Yearbook 2013, Catarina Figueiredo Cardoso (ed.), Lisbon, Portuguese Small Press Yearbook, novembre 2013.

Boivent, Marie, « Entre public et privé : la correspondance dans les revues d’artistes », Correspondances d'artistes. Du brouillon à la lettre ouverte, Lise Lerichomme and Camille Fosse (eds.), Marseille, Le Mot et le Reste, printemps 2012.

Boivent Marie, « Advertisements in Artists’ Magazines: Some Visual Strategies since the 1980s », Kritische berichte, Zeitschrift für Kunst- und Kulturwissenschaften Antje Krause-Wahl and Änne Söll (eds.), n° 4.2012, Berlin, Ulmer Verein, Winter 2012-2013.

Boivent Marie, « Texte en revue », Le Salon, Revue du Centre de Recherche I.D.E., n° 4, Sally Bonn and Alain Georges Leduc (eds.), Metz, ÉSAL, février 2012.

Branka, Stipančić, « Artists’ Books & Magazines », trad. M. Šoljan, in cat. The Horse Who Sings, Radical Art from Croatia, Sue Cramer et Branka Stipančić (eds.), Sydney, Museum of Contemporary Art, 1993, p. 8-10.

Bronson, AA, "Queer Zines," Critical Essays, Printed Matter, 2008.

Brown, Nicholas, Multiples in the Mail in: Dyment, David and Gergory Elgstrand (eds), “One for Me and One to Share: Artists’ multiples and editions,” XYZBooks: Toronto, Canada, 2012. [examines inserts in magazines such as: Parkett, Arkitip, Visionaire, etc…

Castle, Ted, "Art magazines in the United States and Canada," Art Monthly, #3, December/January, 1976/1977.

Celant, Germano, "Artists' Manifestoes & Magazines," Printed Matter Catalog, 1988.

Darko, Simicic, “From Zenit to Mental Space: Avant-Garde, Neo-Avant-Garde and Post-avant-Avant-Gardes, Neo-Avant-Gardes, and Post-Avant-Gardes in Yugoslavia, 1918-1991, Dubravka Djurić et Miško Šuvaković (eds.), Cambridge / London, MIT Press, 2003, p. 294-331.

Friedman, Ken. The Art Economist, Vol. 4, #22-24, March-May, 1984. A detailed survey arts related magazines of the period.

Friedman, Ken, « Notes on the History of the Alternative Press », Lightworks, n° 8-9, winter, 1977, p. 41-47 (article initialement paru dans Contemporary Art/Southeast, vol. 1, n° 3, August / September, 1977, p. 42-43).

Gilbert, Zanna, "Print Networks: Collaborative Publications and the Mail Art Network," in Aeromoto and Wendy's Subway (eds), A + WC, A propósito de nada, Apropos of nothing, Aeromoto and Wendy's, Mexico City, 2017, pgs. 89-119.

Gilbert, Zanna, "Via Postal: Networked publications in and out of Latin America," in: Forbes, Meghan (ed), International Perspectives on Publishing Platforms: Image, Object, Text, Routledge, UK, 2019, pgs. 105-132.

Giroud, Michel, "Le Mouvement des Revues D'Avant-Garde, 1937-1957," in Lionel-Marie, Annick, Marie-Cliare Llopé and Michéle Thomas (eds), Paris - Paris: 1937 - 1957, Georges Pompidou Center, May 28 - November 11, 1981, Prestel Verlag, Munich, Germany 1981.

Günther, Thomas, "Essential Aspects of Subculture Periodicals in the GDR and their Place in Cultural History," Journal of Artists' Books, #8, Fall 1997, pgs. 18-26.

Held, Jr., John. The Way-Underground, undated 30 page manuscript. Deals with mail art periodicals and history.

Komar & Melamid. The Barren Flowers of Evil. Artforum, 18(March 1984), p. 46-52. Concentrates on A-Ya magazine, p. 46-52.

Kotz, Liz, "Open Source: Liz Kotz on Primary Information," Artforum, March 2009, pgs. 69-70.

Kostelanetz, Richard. Assembling: Recalling Assembling, 1977, source: RichardKostelanetz.com

Marmer, Nancy. "Art & Politics ’77." Art in America, 65(July 1977), p. 64-66. Fox, Anti-catalogue, Heresies, The Fox.

McLister, Nell, "BOMB Magazine, celebrating 25 years," BOMBI, #96, Summer, 2006.

Moore, Alan. "New Voices," Artforum, Dec. 1974, p. 63-65. [Surveys a number of different types of art mags.]

Moore, Barbara, John Hendricks, "The Pages as Alternative Space — 1950 to 1969," Flue, Vol. 1, #3, December 1980.

Olander, William, "Which Brand Is For You? Magazines and Activist Arts," Upfront, Winter, 1986-1987, p. 16-18, 71.

Pepe, Murciego, « Revistas ensambladas en el estado español », Hojeando… Cuatro décadas de libros y revistas de artista en España, pp. 241-252.

Perkins, Stephen. "Boxed Up: Time Capsules, Archives, and Magazines", Afterimage, Vol. 35, #3, November/December, 2007.

Perkins, Stephen. "Fluxus Periodicals: Constructing a Conceptual Country", Performance Research, 7(3), 2002, pp. 64-76, UK.

Phillpot, Clive, "Artists’ Magazines: News of the Art Strike, Monty Cantsin and Karen Eliot", Art Documentation, n° 11, fall 1992, p. 137-138.

Phillpot, Clive, Critical Fictions, Artforum, Oct., 1990.

Phillpot Clive, "Art Magazines and Magazine Art", Artforum, vol. XVIII, n° 6, February 1980, p. 52-54. [*G.A.]

Phillpot, Clive, "Movement Magazines - the years of style," in, Fawcett, Trevor and Clive Phillpot (eds). The Art Press: Two Centuries of Art Magazines, London: The Art Book Company, Art Documents Number One, 1976, pgs. 41-44.

Phillpot, Clive, "Fluxus: Magazines, Manifestoes, Multum in Parvo," in: Phillpot, Clive and Jon Hendricks, Fluxus: Selections from the Gilbert and Lila Silverman Collection, The Museum of Modern Art, New York, 1988.

Piene, Otto and Heinz Mack (eds), Zero, MIT Press, Cambridge and London, 1973.

Pindell, Howardena. “Artists’ Periodicals: An Event for 1984 or Page 2001”. Art Journal, Vol. 39, #4, Summer 1980, p 282 – 283.

Pindell, Howardena. “Alternative Space: Artists’ Periodicals”, The Print Collector's Newsletter, Vol. VIII, #4, Sept/Oct. 1977, p. 96 – 121. [*G.A.]

Pindell, Howardena, "Artists’ Periodicals Update, 1977-1980", The Print Collector’s Newsletter, vol. XI, n° 1, March-April 1980, p. 13.

Princenthal, Nancy. Artists’ Book Beat: Periodicals, The Print Collector Newsletter, Vol. XVII, #2, May/June, 1987, p. 60-62.

Shaüfer, Jörgen, "Megaphone for a New Art: The Periodicals of the Zurich Dada, Cabaret Voltaire, Dada, Der Zeltweg," in, Pichon, Brigitte and Karl Riha (eds), Dada Zurich: A Clown's Game from Nothing, G.K. Hall & Co, New York and Prentice Hall International, London, 1996, pgs. 176-191.

Schraenen, Guy, "Pour une approche des espaces alternatifs" (en 4 parties), Artefactum, n° 8, n° 9, n° 10 et n° 11, avril 1985 - janvier 1986, respectivement p. 47-49, p. 32-33, p. 33-34 et p. 52-54.

Schraenen, Guy, "L’Art du journal", supplément au cat. Kunstzeitung-Zeitungskunst, Bremen, Neues Museum Weserberg, 1995, n.p.

Schumann, Max. Artists’ Magazines: A Sampling Selected and Edited by Max Schumann, Printed Matter, New York, online: https://www.printedmatter.org/programs/critical-essays/6-artists-magazines accessed 5/6/10.

Senior, David, "Page as alternative space redux: artists’ magazines in the 21 st century", Art Libraries Journal, vol. 38, n. 3 (2013), p. 10-17.

Šimičić, Darko, "From Zenit to Mental Space: Avant-garde, Neo-avant-garde, and Post-avant-garde Magazines and Books in Yugoslavia, 1921-1987, in, Djurić, Dubravka and Miśko Šuvaković (eds.), Impossible Histories: Historical Avant-gardes, Neo-awant-gardes, and Post-avant-gardes in Yugoslavia, 1918-1991, MIT Press, New York, 2003, pgs. 294-330.

Sischy, Ingrid et Wilson Martha, « Proposal for an anthology entitled The Page as Alternative Press » [1980], document non publié (Ken Friedman papers, fonds « Alternative Traditions in the Contemporary Arts » (ATCA), University of Iowa, Iowa City).

Snodgrass, Susa. "Some Notes on Alternative Arts Publications: The Alternatives' Dance for Money or Walking on a Tight Rope," Artpapers, July/August, 1991, pgs. 2-7.

Strand, John. "Polemics and Provocation in Paris: The Art Magazine Comes of Age," Art International, Winter, 1988, pgs. 24-34.

Szombathy, Bálint, "Alternative Art Periodicals Published in Yugoslavia During the 1970's," in: Perkins, Stephen (ed), Assembling Magazines, Iowa City: Plagiarist Press,1997, p. 52 - 53.

Tagg, John, "Movements and Periodicals: The Magazines of Art," in Studio International, September/October, 1976, p. 136-144.

Thomas, Susan E., Zeroing In on Contemporary, Independent Visual Arts Magazines. Art Documentation, Vol. 26, #1, 2007, p. 40-50.

Vigo, Edgardo-Antonio, "Short Story of My Editions," in: Perkins, Stephen (ed), Assembling Magazines, Iowa City: Plagiarist Press,1997, p. 55.

Walker, John A, "Magazine Art: the conflation of art and the art magazine," Studio International, September/October, 1976, p.118.

Walker, John A., "Internal Memorandum," Studio International, September/October, 1976, pgs. 113-118.

Walker, John A., "Periodicals since 1945," in: Fawcett, Trevor and Clive Phillpot (eds). The Art Press: Two Centuries of Art Magazines, London: The Art Book Company, Art Documents Number One, 1976. Curators: Trevor Fawcett and Clive Phillpot. Exhibition: Victoria and Albert Museum, London, 1976, p. 45-52.

Welish, Marjorie, « The page as Alternative Space, 1909-1980, Art Franklin Furnace », Art in America, vol. 69, n° 9, November 1981, p. 172.

Young, Karl. Forewords to Assembling #12 & 13, circa 1986. Source: www.spunk.org

3.b- Articles about Artists’ Periodicals – Individual Periodicals

Allen, Gwen, "Inside the Box," Art Papers, Nov/Dec., 2013 [Aspen]

Allen, Gwen. "In on the Ground Floor: Avalanche and the Soho Art Scene, 1970-1976," Artforum, Nov., 2005, p. 215-221.

Allen, Gwen. "Against Criticism: The Artist Interview in Avalanche Magazine 1970-76," Art Journal, Fall 2005, p. 49-61.

BARCELLOS, Vera Chaves. « Por um espaço para uma arte alternativa ». Jornal do IAB, Porto Alegre, outubro, 1982.

BARCELLOS, Vera Chaves. « Nervo Óptico: um cartazete que procura diminuir o isolacionismo das obras de arte ». Correio do Povo, Porto Alegre, 13 jan. 1978.

Boivent Marie, « Yawn : un bulletin pour la “Grève de l’Art” », in Le livre d’artiste : quels projets pour l’art ?, Leszek Brogowski et Anne Mœglin-Delcroix (eds.), Rennes, Incertain Sens, 2014.

Boivent Marie, « Une revue d’artiste à géométrie variable : oxo de Pascal Le Coq », dans La Nouvelle Revue d’Esthétique, n° 2, sous la dir. d’Anne Mœglin-Delcroix et Leszek Brogowski, octobre 2008.

Bugnone Ana, “Arte y politica: las rarezas de la revista Hexagono 71 de Edgardo Antonio Vigo”, Jornadas de Sociologica, Facultad de Ciencias Sociales, Universidad de Buenos Aires, 2013.

Brogowski, Leszek, « oxo : une économie marchant », Sans niveau ni mètre, n° 6, novembre-décembre 2008, p. 4.

Brown, Kathan, "Vision," in: Floating Seminar #2: A Survey of Alternative Art Spaces in San Francisco, October 2, 1975, The Farm, San Francisco, The Floating Seminar, San Francisco, 1975, p. 50-52.

CARVALHO, Ana Maria Albani de. Nervo óptico (1977-1978): a questão da montagem como uma problemática contemporânea. Belo Horizonte: XXIV Colóquio CBHA, 2004.

deAk, Edit, "Copy," Artforum, February 1980, p. 92.

Denegri, Jesa, "Gorgona Group - Now and Then", Museum of Modern Art, posted July 9,2013, https://post.at.moma.org/content_items/176-gorgona-group-now-and-thebn

Diederichsen, Diedrich, « Glad Rag. – periodical review: FILE magazine », Artforum, vol. 40, n° 8, April 2002, p. 104-108.

Dolinko, Silvia. "Vigo the Publisher." in Edgardo Antonio Vigo: Usina permante de caos creativo, Obras 1953-1997, Museo de Arte Moderno de Buenos Aires, May 14 - September 5, 2016, pgs. 107-112.

Dimitriejević, Nena. "Gorgona: Art as a Way of Existence," in: Hoptman, Laura and Tomáš (eds), Primary Documents: A Sourcebook for Eastern and Central European Art since the 1950s, Museum of Modern Art, New York, 2002, p. 124-140.

Dore, Ashton, « New York Commentary: The Book: Brian O’Doherty’s Aspen Magazine; William Copley’s S.M.S. », Studio International, vol. 175, n° 900, May 1968, p. 272-273.

Le Feuvre, Lisa, Avalanche, Art Monthly, July/August, 2004.

Frankel, David. "The Rite Stuff," Artforum, Jan. 2003, p. 114-118, 162.

General Idea, "Books & Zines," File, 2(3) September, 1973.

Gilbert, Zanna. "Something Unnameable in Common": Translocal Collaboration at the Beau Geste Press," Artmargins, Vol. 1, #2-3, June-October, 2012, pgs. 45-72.

Higgs, Matthew. ‘Zines for a Day, Artforum, March 2003, p. 79-83, 265,

King, Emily, "Thinking inside the box: Aspen revisited", Looking Closer 5: Critical Writings on Graphic Design, Michael Bierut, William Drenttel et Steven Heller (eds.), New York, Allworth Press, 2007, p. 62-68.

Komar & Melamid. "The Barren Flowers of Evil," Artforum, 18(March 1984), p. 46-52.

Komar & Melamid. "The Barren Flowers of Evil," in: Hoptman, Laura and Tomáš (eds), Primary Documents: A Sourcebook for Eastern and Central European Art since the 1950s, Museum of Modern Art, New York, 2002, p. 258-271.

Koren, Leonard. Second Life: Making WET, East of Borneo (www.eastofborneo.org/) online magazine, July 10, 2012.

Kromann, Thomas Hvid, "The little magazine ta’ box", manuscrit non encore publié, remis par l’auteur.

Kromann, Thomas Hvid, "A Time Capsule from the Sixties - The Little Magazine ta' BOX (1969-1970), in Orum, Tani and Jesper Olsson (eds), A Cultural History of the Avant-Garde in the Nordic Countries 1950-1975, Brill Rodopi, Leiden & Boston, pg. 208-211.

Lawson, Thomas, "Second Life: 4 Taxis Magazine," East of Borneo, February, 2013, online magazine: https://eastofborneo.org/articles/second-life-4-taxis-magazine/

Loeffler, C.E., "la mamelle magazine," in: Floating Seminar #2: A Survey of Alternative Art Spaces in San Francisco, October 2, 1975, The Farm, San Francisco, The Floating Seminar, San Francisco, 1975, p. 45-46.

MORAIS, Frederico. “Nervo Óptico”: entre o museu e o mercado. O Globo, Rio de Janeiro, 10 nov. 1997.

Padin, Clemente. "Assembling Magazines: Ovum's Saga," in: Perkins, Stephen (ed), Assembling Magazines, Iowa City: Plagiarist Press,1997, p. 29-30.

Perkins, Stephen, "An Assembly of Conspirators: Ominbus News and Smile," paper presented at Art Magazines and Magazine Art, Association of Art Historians, April 6 – 10, 2016, Edinburgh, Scotland. Chair: Samuel Bibby. Panel: Stephen Perkins, Ruth Blacksell, Marie Boivant, Katharine J. Wright, Amy Tobin, David Brittain and Gwen Allen. Respondent: Clive Phillpot.

Phillpot, Clive, "Feedback," Studio International, July/August, 1972.

Polkinhorn, Harry. Kaldron: Visual Poetry, undated 8-page manuscript.

Polony, Csaba, "Left Curve Magazine," in: Floating Seminar #2: A Survey of Alternative Art Spaces in San Francisco, October 2, 1975, The Farm, San Francisco, The Floating Seminar, San Francisco, 1975, p. 28-29.

Relyea, Lane. Hand in Glove: Reflections on LAICA Journal and Culture Endowed, East of Borneo, East of Borneo (www.eastofborneo.org/) online magazine, Dec. 10, 2012.

Rimmaudo, Annalisa, "Les éditions Tèchne et le livre d'artiste en Italie dans les années 1960 et 1970", Nouvelle revue d’esthétique, 2/2008 (n° 2), p. 81-86.

SILVEIRA, Paulo Antonio de Menezes Pereira da. Aos 31 anos, o fim de Umbrella, um periódi- co discreto. Salvador: ANPAP – Encontro da Associação Nacional de Pesquisadores em Ar- tes Plásticas / EDUFBA, 2009.

Sorkin, Jenni. "Envisioning High Performance", Art Journal, Summer 2003, p. 37-51.

3.c- Interview/ artists’ writings about Individual Artists’ Periodical

Arcangel, Cory, "Stephen Willats talks with Cory Arcangel,' in: Artforum, September, 2012, p. 451-452.

Bear, Liza et Sharp Willoughby, 'Le body art & Avalanche : New York, 1968-1972', in cat. L’Art au corps. Le Corps exposé de Man Ray à nos jours, catalogue d’exposition, Véronique Legrand et Philippe Vergne (eds.), Marseille, Musées de Marseille / Réunion des musées nationaux, 1996, p. 89-115.

Brittain, David, "F For Filing System: An Interview with AA Bronson," Afterimage, Vol. 35, #3, November/December 2007, p. 9-12.

Cattelan, Maurizio, 'Maurizio Cattelan, Nancy Spector in conversation. April 1999, New York", in PressPLAY contemporary Artists in conversation, London / New York, Phaidon, 2005, p. 78-92.

Chan, Audrey, "Artists at Work: Matt Keegan," in: Afterall, 2007, online: https://www.afterall.org/online/artists.at.work.matt.keegan#.XqMaqFNKjOR

[North Drive Press magazine]. Interview online at: http://badatsports.com/2010/episode-278-steven-leiber/

Chopin, Henri, "Henri Chopin, entretien autour de la revue OU. C’est eux les marginaux.", propos recueillis par Guy Schraenen, +-0, n° 57, octobre 1990, p. 17-19.

Cummings, Paul, "Oral History Interview with William Copley", January 30 [1969], http://www.aaa.si.edu/collections/oralhistories/ [01/10/2014].

Gutiérrez, Roberto, "Les objets de Plages, entretien avec Roberto Gutiérrez", propos recueillis par Chevrefils Desbiolles et Christine Lapoujade, La Revue des revues, n° 6, 1988, p. 73-75.

Miti, Luca. "LLRRR: An Interview with Roberto Zito," in: Perkins, Stephen (ed), Assembling Magazines, Iowa City: Plagiarist Press,1997, p. 25-27.

Nouet, Jean-Pierre, "Mousse verte, vin trouble, silence sous les arbres… ", Interarchive. Archivarische Praktiken und Handlungsräume im zeitgenössischen Kunstfeld / Archival Practices and Sites in the Contemporary Art Field, Hans-Peter Feldmann et Hans Ulrich Obrist (eds.), Lüneburg / Köln, Verlag der Buchhandlung Walther König, 2002, p. 306.

PADÍN, Clemente. Entrevista com Clemente Padín. In: FREIRE, Cristina (Org.); LONGONI, Ana (Org.). Conceitualismos do Sul / Conceptualismos del Sur. São Paulo: Annablume/USP- MAC, 2009, p. 51-55.

Perkins, Stephen. "The Acts the Shelflife: Miekal And & Liz Was in Conversation," in: Perkins, Stephen (ed), Assembling Magazines, Iowa City: Plagiarist Press,1997, p. 6-7.

Perkins, Stephen. "Assembling: An Interview with Richard Kostelanetz," in: Perkins, Stephen (ed), Assembling Magazines, Iowa City: Plagiarist Press,1997, p. 12-14.

Perkins, Stephen. "Stampzine: An Interview with Bill Gaglione," in: Perkins, Stephen (ed), Assembling Magazines, Iowa City: Plagiarist Press,1997, p. 34.

SCOMAZZON, Marli Cristina. Propostado Nervo Óptico: manter o público informado. Entrevista com Carlos Asp, Clóvis Dariano, Telmo Lanes e Vera Chaves. Zero Hora, Porto Alegre, 28 out. 1978

Terrades, Steva, « Impressions de Majorque : Neon de Suro. Questions à Steva Terrades, l’un des 4 neon », 4 Taxis, n° 8, hiver 1981-1982, p. 5-7.

Vale. "X-Ray: Excerpts from an interview with Johnny Brewton," (originally published in: Vale, Zines!, V/Search, San Francisco, 1996) in: Perkins, Stephen (ed), Assembling Magazines, Iowa City: Plagiarist Press,1997, p. 37-39..

de Vries, herman, « à anne mœglin-delcroix en réponse à ses questions sur le livre d’artiste et autres sujets », herman de vries, le livre et les publications, catalogue raisonné, Limoges, Pays-Paysage ; Saint-Yrieix-la-Perche, CDLA, 2005, p. 278-283.

3.d- Articles on assembling magazines

Günther, Thomas. Essential Aspects of Subculture Periodicals in the GDR and their Place in Cultural History. Journal of Artists’ Books, #8, Fall 1997. p. 17 – 26.

Jesch, Birger, "About Assembling Magazines in the Former East Germany." in: Perkins, Stephen (ed), Assembling Magazines, Iowa City: Plagiarist Press,1997, p. 51.

Kostelanetz, Richard. Recalling Assembling,1997, online: http://www.richardkostelanetz.com/examples/recallassem.html

Murciego, Pepe, « Revistas ensambladas en el estado español », Hojeando… Cuatro décadas de libros y revistas de artista en España, pp. 241-252.

Perkins, Stephen, "Assembling Magazines and Alternative Artists’ Networks," in; At a distance. Precursors to Art and Activism on the Internet, 2005, pp. 392-406.

Perkins, Stephen, "Assembling Magazines," in: FaGaGaGa: Mark & Mel Corroto (eds), New Observations, #126, Summer, 2000, p.15.

Perkins, Stephen, "Introduction," in: Perkins, Stephen (ed), Assembling Magazines, Iowa City: Plagiarist Press, 1997, pp. 2-5.

Perneczky, Géza, "Assembling Register: 1969-87," in: Perkins, Stephen (ed), Assembling Magazines, Iowa City: Plagiarist Press,1997, p. 60-62.

Saper, Craig, "Assembling as Intimate Bureaucraces," in: Saper, Craig J., Networked Art, University of Minnesota Press, Minneapolis/London, p. 129-148, 163-165.

Saper, Craig, « Intimate Bureaucracies & Infrastructuralism: A Networked Introduction to Assemblings », Postmodern Culture, vol. 7, n° 3, May 1997, p. 10-30.

3.e- Articles on Mail Art Magazines

Phillpot, Clive, "Artists’ Magazines: News of the Art Strike, Monty Cantsin and Karen Eliot," Art Documentation, Fall 1992, pp. 137-138.

Welch Chuck, « Mail Art Network: Source and Flow », Real Life Magazine, n° 21-22, 1991, p. 49-52.

3.f- Articles on Fluxus Publications

Anderson Simon, "Fluxus Publicus", in cat. In the Spirit of Fluxus, Janet Jenkins (ed.), Walker Art Center, Minneapolis, 1993.

Perkins, Stephen. Fluxus Periodicals: Constructing a Conceptual Country. Performance Research, 7(3), pp. 64-76, UK.

Phillpot, Clive, "Fluxus: Magazines, Manifestoes, Multum in Parvo", in cat. Fluxus. Selections from the Gilbert and Lila Silverman Collection, Clive Phillpot et Jon Hendricks (ed.), New York, MoMA, 1988, p. 9-16.

Smith, Owen F., "Developing a Fluxable Room: Early performance and publishing ," in The Fluxus Reader, Ken Friedman (ed.), Chichester, Academy Editions / J. Wiley, 1999, p. 3-21.

4- Magazine Exhibitions with Exhibition Catalogues (unless otherwise noted as not having a catalogue)

4.a- Exhibitions: Group Magazine Exhibitions, artists’ periodicals, art journaux

Ades, Dawn. Dada and Surrealism Reviewed. Arts Council of Great Britain, London 1978. Curator: David Sylvester & others, 11 January – March 27, 1978, Hayward Gallery, London 1978.

America Fantastics: Art, Literature, and the Surrealist Legacy in Experimental Publishing 1938-1968. Museum of Modern Art, New York, 2006. Curator: May Casteleberry. Exhibit: Nov. 6, 2002 – Jan. 22, 2007. 4 page print out with mags listed from website.

Archizines + Arch-Art! Books, two exhibitions curated respectively by Elias Redstone (Archizines) and Adam O'Reilly (Arch-Art! Books), Storefront for Art and Architecture, New York, April 17, 2012. [no catalogue]

Art Publishers’ Convention, Book Fair and Exhibition, and exhibition of art periodicals in the Union Art Gallery, San Jose State University, 1977. Convention: Oct. 8-9. Exhibit: Oct. 8 – Nov. 4, 1977. [approx.100 contemporary art periodicals featured with 4 page newsprint catalogue]

The Artist Publisher: A Survey by Coracle Press. Crafts Council Gallery, London. Exhibit: Sept. 10 – 2 Nov., 1986. Curator: Coracle Press is Simon Cutts and Erica Van Horn.

Artists’ Magazines: From 'Art-Rite' to 'X-Ray,' 871 Fine Arts, June 22 – Aug. 31, 2013,

San Francisco.

Artists’ Publications from GDR (obenauf and ungebrochen), Exhibition Studienzentrum, Weserberg, Germany. Exhibit: Feb. 7 – 17 May, 2009. [no catalogue]

The Artist Publisher. Curator: Coracle Press, September 10 - November 2, 1986, Crafts Council Gallery, London. [+ catalogue]

Boivent, Marie (ed). Revues d’artistes: Une selection. Paris/Rennes: Editions Provisoires & Lendroit gallerie, 2008. Curator: Marie Boivent. Exhibit: Galeries contemporain des Urbanistes, Fougeres; Lendroit Galeries, Rennes; Cabinet du livre d’artiste, Rennes. Nov. 6 – Dec. 19, 2008.

Dittmar, Rolf (ed). Art Journaux: Die Kunst der Zeitschrift. Kassel, Germany, 2000. Curator: Rolf Dittmar. Exhibition: Kasseler Kunstverein, Kassel, Jan. 29 – March 13, 2000.

Held, Jr., John (ed). Before Zines and Punk: Bay Area Dada. New York/San Francisco: Snowman Publications, 1998. Curator: John Held, Jr. Exhibit: Skylight Gallery, SF Public Library, August – September, 1998.

Magazines by Artists, Art Metropol, Totonto, 2003. Exhibit: Jan. 11 – March 29, 2003. [no catalogue that I’m aware of]

Mega Zines, Visionaire Gallery, New York, 2006. Exhibit: July 31 – Dec. 31, 2006. [no catalogue]

Millenium Magazines, Museum of Modern Art, New York. A large selection of national and international magazines listed with their respective links, and brief statements. All the magazines were printed after 2000. Organized by Rachael Morrison and David Senior. Works exhibited in the Lewis B. and Dorothy Cullman Education and Research Building, Feb. 20 – May 14, 2012 [see online catalogue in online section]. https://www.moma.org/interactives/exhibitions/ 2012/millenniummagazines/?_ga=2.108119936.30615259.1589474192-507744116.1586464564

Obenauf und ungebrochen. Künstlerpublikationen in der DDR (On Top and Unbroken: Artists' Publications from GDR), Bremen: Studienzentrum für Künsterlerpublikationen, Weserburg, February 7 - May 17, 2009. [no catalogue]

Olbrich, Jürgen O., (ed). International Artists-Magazines, ART Nurnberg 6, Art Fair International 1991. Curator: Jürgen O. Olbrich. Exhibition: June 20 – 23, June, 1991, Messezentrum Forum fur aktuelle Kunst, Germany. [Periodicals in show: Entwerter/Oder, Art/Life, Tiegel&Tumult, Doos, Arte Postale!, Collective Copy, Eins von Hundert, Data File, UNI/vers (;), Commonpress]

Schraenen, Guy, « L’Art du journal », supplément au cat. Kunstzeitung-Zeitungskunst, Bremen, Neues Museum Weserberg, 1995, n.p.

Senior, David, "Scenes from Zagreb: Artists' Publications of the New Art Practice," Museum of Modern Art, New York, 2011-2012. Curator: David Senior, December 12, 2011 - February 17, 2012. Web catalogue: https://www.moma.org/interactives/exhibitions/2011/ScenesFromZagreb/

Small Press Scene. Documents of alternatives in the press, catalogue d’exposition, Maurizio Nannucci (ed.), Firenze, Zona, 1975.

Text-Sound-Image. Small Press Festival, catalogue d’exposition, Anvers, Guy Schraenen & ASPC, 1976.

Unter dem Radar. Untergrund - und Selbstpublikationen 1965-1975 (Under the Radar. Underground Publishing and Self Publishing 1965-1975), Exhibition Studienzentrum, Weserberg, Germany, October 30, 2015 – Feb. 14, 2016.

Yugoslae Neoavangard Journals 1966-1990, Gallery Prozor, March 21 - April 1, 2017, Belgrade, Serbia. Curator: Ana Radovanović

Zellinnenruck - Künstlerzeitschriften und Küsterlerbücher aus de spä DDR (Internal Cell Pressure - Artist Magaziones and Artist Books from the Late GDR), New Museum, Nuremberg, Germany, December 2, 2010 - March 20, 2011.

4.b- Exhibitions: One Magazine

Art & Project Bulletins 1-156, September 1968, November 1989: Inventory, catalogue d’exposition, Slootdorp, Art & Project, 1997.

A Cosmopolitan Realism / Um realismo cosmopolita – The KWY Group / O grupo KWY, Suzanne Cotter (ed.), catalogue (exhibition May-September 2015), Collection Serralves, 2015.

A l’Entorn de Neon de Suro 1975-1982. Col.lecció Rafael Tous, catalogue d’exposition, Palma de Mallorca, Fundació Pilar i Joan Miró, Ajuntament de Palma, 1999.

Denken: Ja: Zeitschrift für Tiegel & Tumult 1986-1990, Kunsthammer Hauptbahnhof, Kassel and Galerie Schüppenhaure, Köln, 1990.

Ford, Charles Henri (ed). View: Parade of the Avant-Garde 1940-1947. New York: Thunder’s Mouth Press, 1991.

Fowle, Kate. Reallife Magazine: 1979-1990, Artists’ Space, New York, 2007. Curator: Kate Fowle with assistance of Thomas Lawson and Susan Morgan. Exhibit: March 30 – May 12, 2007.

Franks, Pamela. The Tiger’s Eye: The Art of a Magazine. New Haven: Yale University Art Gallery, 2002. Curator: Pamela Franks. Exhibition: Yale University Art Gallery, Jan 29 – March 30, 2002.

Gaglione, Picasso. Flux Post Kit 7, San Francisco: Stamp Art Gallery, 1997. Curator: Picasso

Gaglione. Exhibition: Stamp Art Gallery, San Francisco, March 8, 1997.

Gorgona (...Jevsovar, Knifer...), catalogue d’exposition, Dijon, Art Plus Université, 1990.

Gorgona gorgonesco gorgonico: Gruppo Gorgona (Zagabria, 1959-1966), catalogue d’exposition, Vigonza, Biblioteca Cominiana / Juliet Art Magazine, 1997.

Gorgona, Nena Dimitrijević (ed.), Zagreb, Galerija suvremene umjetnosti, 1977.

Higgs, Matthew, Pages from A Magazine: CAMERAWORK, White Columns, New York, 2011.

Kugelberg, Johan (ed). Semina 1955-1964 Art Is Love Is God. Boo-Hooray Gallery, New York, Dec. 5, 2013 – Jan. 9, 2014. [all Semina materials reproduced for each issue]

Muggeridge, Fraser, Towards an alternative history of graphic design Schmuck, POP, bRIAN, Assembling, De L Warr Pavilion, Sussex, England, 2015.

Ox. Revue mensuelle, plaquette d’exposition, texte de Didier Mathieu, Limoges, 2006.

Rosendo, Catarina (ed) Um realismo cosmpolita: O grupo KWY na Coleção de Serralves (A Cosmopolitan Realism: The KWY Group in the Serralves Collection). Curator: Catarina Rosendo, May 22 - 27 September, 2015, Museu de Arte Contemporãnea de Serralves, Porto, Portugal.

SMS: a collection of original multiples published in 1968 by The Letter Edged in Black Press, New York, Reinhold-Brown Gallery, [s.d.] n.p. (cf. S M S, cat. repris du précédent, Paris, librairie Didier Lecointre et Denis Ozanne, 1989.)

Wallace Berman: solution, catalogue, Amsterdam, Institute of Contemporary Art, 1992. [*G.A.]. Michael McClure interview with Eduardo Lipschutz-Villa about Semina magazine.

4.c- Exhibitions: Mail art magazines, zines

Thank you for sharing, ARTZINE AUSSTELLUNG & SYMPOSIUM, curated by Regine Ehleiter, May 8-30, 2010, D21 Kunstraum, Leipzig, Germany (cat. = Rollo Press & the Lousy LivinCompany, 78 p).

Perkins, Stephen (ed), Subspace International Zine Show, Iowa City: Plagiarist Press, 1993. Curator: Stephen Perkins. Exhibit: Sept. 5 – 26, 1992, Subspace, Iowa City.

Fanzine as an…object, Belgium, 1990. Curator: Dieter Gorny. Exhibit: Sept. 13 – 20, St. Goriksplea, Brussels (Bruzzle festival) and 4 other locations.

4.d- Exhibitions: Assembling Periodicals

None of the Above: Assembling, Collaborating and Publishing in the Eternal Network, Minnesota Center for the Book Arts: Minneapolis, August 28 - 8 November, 2009.

Magazines by Artists, Art Metropole, Toronto, Canada, January 11 – March 29, 2003.

Networking Artists & Poets: Assemblings from the Ruth and Marvin Sackner Archive of Concrete and Visual Poetry, University of Pennsylvania, Rosenwald Gallery, 1997. Curator: Craig Saper. Exhibition: Rosenwald Gallery, University of Pennsylvania, April 17 – 27 June, 1997.

Assembling Magazines, Iowa City: Subspace, 1997. Curator: Stephen Perkins. Exhibit: Subspace, Iowa City, Sept. 7 – 21, 1996.

4.e- Exhibitions: Fanzines, zines and queer zines

Fanzine as an Object. Curator: Jan De Boever, travelling exhibition (5 venues/Belgium/Germany/ London, France), September 20 - November 11, 1990, Bruzzle v.z.w & Small Mags Archive, Belgium.

Fanzinerie: Editoria Periodica Amatoriale, Italy. Curator: Piermario Ciani. Exhibit: Prodenone Editexp, Fontanafredda, Italy, 1992.

Obsessed: Ruminations in Zine Culture. Curator: Tran T. Kim-Trang. Exhibit: Re:Solution Gallery, Los Angeles Center for Photographic Studies (LACPS), Los Angeles, October 28 - November 26, 1994.

Queer Zines. Curator: AA Bronson. Exhibit: NY Art Book Fair, Phillips de Pury & Company, October 24 - 26, 2008.

Queer Zines 2. Curator: AA Bronson. Exhibit: Witte de With Center for Contemporary Art, Rotterdam, Netherlands, September 6 - January 5, 2014 and LA Art Book Fair, LA MOCA, Los Angeles, January 30 - 2 February, 2014.

Samizine, Brooklyn, New York. Curators: Scott Cunningham and Steven Cerio. Exhibit: North Brooklyn Small Press Convention, Minor Injury, 1989.

Some zines: American alternative & underground artists’ & eccentric magazines & micropress. Boise: cold-drill book, 1996. Curator: Tom Truscky. Exhibit: March 1996, Boise State University, Student Art Gallery, Idaho.

Some zines: American alternative & underground magazines, newsletters & apa’s. Boise: cold-drill book, 1992. Curator: Tom Truscky. Exhibit: Oct 5 – 15 Nov. 1992, Boise State University, Student Union Gallery, Idaho.

Subspace International Zine Show, Curator: Stephen Perkins. Exhibit: Subspace, Iowa City, September 5 - 26, 1992.

Supersonic Transport: A Survey of Independent Pop Culture Magazines. Curators: Patrik Andersson, Derek Root and Judith Steedman. Exhibit: Charles H. Scott Gallery, Vancouver, Canada, March 15 - April 24, 2000.

4.f- Exhibitions: Art Press and Art Magazines

Le fonds Paul Destribats : Une collection de revues et de périodiques des avant-gardes internationales à la Bibliothèque Kandinksky, Didier Schulmann, Agnès de Bretagne (eds.), Paris, Centre Pompidou, 2011.

The Artist Publisher: A Survey by Coracle Press, Crafts Council, London, 1986. Curator: Erica Van Horn and Simon Cutts. Exhibit: Crafts Council Gallery, London, Sept. 10 – November 2, 1986.

Fawcett, Trevor and Clive Phillpot (eds). The Art Press: Two Centuries of Art Magazines, London: The Art Book Company, Art Documents Number One, 1976. Curators: Trevor Fawcett and Clive Phillpot. Exhibition: Victoria and Albert Museum, London, 1976.

4.g- Exhibitions: Little Press, Small Magazines

Clip, Stamp, Fold: The Radical Architecture of Little Magazines, 196X — 197X, Storefront for Art and Architecture, New York. Exhibition: Nov., 14, 2006 - Feb., 24, 2007. Curators: B. Colomina, C Buckley, A. Fontenot, U. Grau, L. Hsieh, A. Imperiale, L Kallipoliti, O. Kazi, D. Lopez-Perez, and I. Sunwoo.

Clay, Steven and Rodney Phillips (eds), A Secret Location on the Lower East Side: Adventures in Writing, 1960-1980, New York Public Library and Granary Books, New York, 1998. Exhibition: New York Public Library, Stephen A. Schwarzman Building, New York, Jan. 24, 1998 - July 25, 1998.

Soar, Geoffrey and David Miller. Interaction & Overlap: from the Little Magazine and Small Press Collections at University College London. London: Workfortheeyertodo, 1994. Curators: Soar and Miller. Exhibition: Nov. 10 – Dec. 22, 1994

Miller, David and Geoffrey Soar. Little Magazines and How They Got That Way, 1990. Curators: Miller and Soar. Exhibition: Level 5 and the Poetry Library, Royal Festival Hall, London, Sept. 27 – Oct. 25, 1990.

4.h- Exhibitions: Independent Pop culture magazines

Supersonic Transport: A Survey of Independent Pop Culture Magazines, Vancouver: Charles H. Scott Gallery, 2000. March 15 – April 24, 2000.

4.i- Exhibitions: Alternative and Independent Architectural Publishing

Birch, James and Barry Miles (eds), The British Underground Press of the Sixties. Curators: James Birch and Barry Miles, September 28 - November 4, A22 Gallery, published by Rocket 88, London.

Colomina, Beatriz and Craig Buckley (eds). Clip Stamp Fold: The Radical Architecture of Little Magazines, 196X to 197X, New York Actar, 2010. Exhibit: 1^st exhibition at The Storefront for Art and Architecture, New York, Nov., 2006.

Redstone, Elias (ed). Archizines. Curator: Elias Redstone. Exhibit: Architectural Association School of Architecture, Nov. 5 – Dec. 14, 2011.

5- PhD and MA about artists’ periodicals

5.a- PhD

Gilbert, Susannah, Transgressive Networks: Mail Circulation and Communication in and out of Latin America, 1960s-1980s, PhD Dissertation, University of Essex, UK, 2012

Boivent Marie, La revue d’artiste : enjeux et spécificité d’une pratique artistique, Université Rennes 2, 2011.

Bailey, Robert, Art and Language and the Politics of Art Worlds, PhD Dissertation, University of Pittsburgh, USA, 2007.

Fedirka, Sarah A., Toward a Locational Modernism: Little Magazines and the Modernis Geographical Imagination, Arizona State University, 2008.

Hage, Emily. New York and European Dada Art Journals, 1916-1925: International Venues of Exchange. University of Pennsylvania, 2005.

Perkins, Stephen, Artists’ Periodicals and Alternative Artists’ Networks: 1963-1977. University of Iowa, 2003.

Melin Corinne, Art & Language, analyse critique des trois premiers volumes de la revue du collectif, 1968-1976, Thèse de doctorat, Université Paris VIII, 2003.

Mokhtari Sylvie, Avalanche - arTitudes - Interfunktionen 1968-1977: trois trajectoires critiques au cœur des revues, Thèse de Doctorat en Histoire de l’Art, Université Rennes 2-Haute Bretagne, 1999.

Castellin Philippe, Doc(k)s mode d’emploi. Histoire, formes & sens des poésies expérimentales au XX^e siècle, these de doctorat en literature compare, sous la direction de Georges Molinié, Université Paris 4, 1997.

5.b- MA

Belanger, Ashley, Avalanche and File: the politics of alternative magazines in the field of cultural production 1968-1976, University of Britich Columbia, Vancouver, April 2009.

Bouärd Marie (de), Feuille Volante. Un espace d’exposition imprimé, mémoire de Master II, sous la dir. de C. Perret, Université Paris X Nanterre, 2006.

Bordeaux-Groult, Liselotte, Les Troupes de l’actionnisme Viennois passées en revue, Mémoire de Master 2, École du Louvre, 2007.

Buller (Epp) Rachel, Thesis (Master), From Poetry to Crockery: The SMS Portfolios and the Changing Art World of the 1960s, University of Kansas, April 1998.

Fabres, Paola Mayer, Dialogos impressos periodicos de artistas no Brasil, Anos 1970, entre Casos, Agentes e Cenarios. Universidad Federal do Rio Grande do Sul, Instituto de Artes,

Programa Post-graduaçao em Artes Visuais, Mestrado e Doutorado, 2015.

Grateau, Anaïs, « Flipping Assembling » : traversée et analyse de la compilation de « manuscrits autrement impubliables » de Richard Kostelanetz, Mémoire de Master 2, École du Louvre, 2007.

Mokhtari, Sylvie, Des revues d’avant-garde en Europe et en Amérique du Nord du milieu des années 1960 à la fin des années 1970, Mémoire de DEA en Histoire de l’Art, Rennes, Université Rennes 2-Haute Bretagne, 1990.

??? [Shoji, Eduardo Akio, Entre práticas artísticas e editoriais: as publicações coletivas no museu, (Between artistic and editorial practices; the collective artists' publications in the museum), Interunidades em Estética e História da Arte, University do São Paulo, 2014]. Includes artists' periodicals but has a broader reach as well....?

Weiner, Camille Mary. Artists as authors: three Los Angeles art periodicals of the 1970s.

Degree: Master of Public Art Studies, Public Art Studies, 2011, University of Southern California

http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/210199/rec/884

Van Mechelen, Marga. Language as Art/Art as Language: a study on the Journals Art-Language and The Fox. Netherlands, 1978.

6- Art Magazine special issues devoted to artists periodicals and magazines.

Art International, Vol. 5, Winter, 1988.

Boorman, Helen, "A Forum for German Expressionism," p. 9-13.

Gibson, Ann, "Original Intentions: Barnett Newman and "Tiger's Eye," p. 14-23.

Strand, John, " The Art Magazines Comes of Age: Polemics and Provocation in Paris:," p. 24-34.

Bellony-Rewald, Alice, "Photography in Surrealist Reviews," p. 35-39.

Leiris, Michel, "Three Poems from "Simulacre"", p. 41

ARTMargins, "Art Periodicals Today, Historically Considered". Vol. 5, #13, October 2016.

Art Papers, "Special Issue on Alternative Arts Press," #4, Vol., 15, July/August, #4,1991, Atlanta, GA

Lefebvre, Antoine (ed), Artzines, #1 - #12.5, 2016-2019, Paris, France. Artzines is both a publishing and an online project (http://www.artzines.info/) devoted to exploring the world of zines self-published by contemporary artists. Listed below are the 13 issues of Artzine with their themes and publication dates.

Artzines, #12.5, "Phil (book project)," 2019

Artzines, #12, "Provo Special," 2018

Artzines, #11, "Gee Vaucher Special," 2018

Artzines, #10, "Show & Tell #2 NYC Special," 2017

Artzines, #9, "Brazilian issue," 2017

Artzines, #8, "Californian issue," 2017

Artzines, #7, "Berlin issue," 2017

Artzines, #6, "Show and Tell #1," 2017

Artzines, #5, "Montreal issue," 2016

Artzines, #4, "Marc Fischer Special," 2016

Artzines, #3, "Tokyo issue," 2016

Artzines, #2, "Broadside essay," 2016

Artzines, #1, "Paris issue," 2016

The New Art Examiner, February, 1976. Cover article titled “Art Publication Explosion: Swing to the Left and Regionalist Challenge,” pgs. 1 & 19.

Sans Niveau du Livre D'Artiste, (eds: Joseph Ernst, Marie Boivent, Leszek Brogowski & Aurelie Noury), #28, 13 March - 19 April, "One Page Magazines," 1 page, Rennes, France.

Studio International, Sept/Oct. #983, Vol 193, 1976. [London, UK] Assorted articles related to the ‘Art Press’ exhibition 1976 and articles by art magazines about their interests and concerns.

7- Conference and Panels Sessions Devoted to Artists’ Periodicals (by year)

Art Magazines and Magazine Art, Association of Art Historians, April 6 – 10, 2016, Edinburgh, Scotland. Chair: Samuel Bibby. Panel: Stephen Perkins, Ruth Blacksell, Marie Boivant, Katharine J. Wright, Amy Tobin, David Brittain and Gwen Allen. Respondent: Clive Phillpot.

Modernist Magazines Conference,July 12-14th 2007, De Montfort University, Leicester, UK

Keynote Speaker: Michael North (UCLA)

'The Modernist Atlantic' is the first of two international conferences organised by the

Modernist Magazines Project, directed by Peter Brooker (University of Sussex) and Andrew Thacker (De Montfort University), and funded by the AHRC. Although the study of modernism has been revolutionised over the last decade it is only recently been recognised that periodical publications made a distinctive contribution to the modernist movement. This conference addressed the role of magazines in the construction of modernism, focussing upon magazines in Britain, Ireland and North America.

Critical Machines: Art Periodicals Today, March 7-8, 2014, American University of Beirut, Beirut. Chairs: Octavian Eşanu and Angela Harutyunyan.

The Territories of Artists' Periodicals. International symposium, June 2-4, 2014, Lawton Gallery, University of Wisconsin-Green Bay, Wisconsin.

Multiple Ideas: Artists’ Periodicals as Site for Collaboration and Distribution of Idea, ARLIS/NY Contemporary Artists’ Books Conference, Oct. 23 - 26, 2008, New York. Moderator: David Senior.

Artists’ Periodicals: 1945-1990. College Art Association Annual (CAA) 95th Meeting, New York, 2007. Chair: Stephen Perkins. Panel: Stephen Petersen, Reiko Tomii, Gwen Allen, Benjamin Lima and Emily Hage.

Experimental Magazines and the International Avant-Gardes, 1945-1975. Chair: David Little. Panel: Liza Bear, Benjamin Buchloh, Willoughby Sharp, Edward Sullivan. Dec., 11, 2006, Museum of Modern Art, New York.

Publishing Without Limits: New Directions for Art Magazines, Art Forum Berlin, Sat., Sept. 18^th, 2004. Panelists: Mircea Cantor, Power Ekroth, Massimiliano Gioni, Gabriel Kuri and Anton Vidokle. 2 page description.

Art Periodical Conference, 80 Langton St., San Francisco, 1977. 14 periodicals editors and representatives attended. February 20^th. Source: Alpert, Richard review in La Mamelle Magazins: Art Contemporary, Vol. 2, #4, 1977, p. 12 – 16.

8- Book and Magazine Reviews on books related to magazines

Bibby, Samuel, "Hidden Trails in Art History." Book review: Allen, Gwen (ed), The Magazine, Whitechapel Gallery/MIT Press, 2016. In: Association of Art Historian, Vol. 40, #1, 2017, pgs. 204-205, 207-209.

Drumm, Perrin, "The Last Magazine, reviewed." Magazine review, online at: magCulture.com/blog, March 1, 2007

Dyment, Dave. Book review: Artists’ Magazines: An Alternative Space for Art, Gwen Allen. In: magentamagazine.com, 2012. [also reviews In Numbers: Serial Publications by Artists Since 1955,

Dyment, Dave. Book review: "In Numbers: Serial Publications by Artists Since 1955," Philip E. Aarons an Andrew Roth. In: magentamagazine.com, 11/30/2010.

Fusco Maria, « Publish and be Damned », Art Monthly, n° 303, February 2007, p. 34.

Gartenfeld, Alex, "Judging a Book By Its Number," Book review of "In Numbers: Serial Publications by Artists Since 1955," in: Art in America, 12/10/09, online at: artinamericamagazine.com

Heller, Steven. Book review: "Fanzines: The DIY Revolution," Teal Triggs, Chronicle, 2010. In: New York Times Book Review, Feb. 20, 2011.

Leclère, Mary. Book review: "Artists’ Magazines: An Alternative Space for Art," Gwen Allen, MIT Press 2011. In: Art Journal, Vol. 72., #1, Spring 2013, pgs. 101-104.

Sattell, Jessica. Book review: "The Modern Magazine: Visual journalism in the digital era, " Laurence King Publishers, London, 2013. In: fnewsmagazine, #2, 2014, p. 27. School of the Art Institute of Chicago.

Sullivan, Gary. Book review: "There Goes the Neighborhood," Journal of Artists' Books, #13, Spring 2000, pgs. 14-16. [A Secret Location on the Lower East Side: Adventures in Writing, 1960-1980."

Tagg, John, Exhibit catalogue review: "Movements and Periodicals: The Magazines of Art," Studio International, September/October 1976, pgs. 136-144. [Review of "The Art Press" exhibition, Victoria and Albert Museum, 1976.

Tyler, Parker, "Book Reviews," periodicals reviewed, Possibilities, The Tiger's Eye, in: Magazine of Art, Vol. 41, #3, March 1948, p. 109-10.

8.a- Book and Magazines reviews of artists' magazines

Greenberg, Clement. Magazine review: "The Rennaisance of the Little Mag," periodicals reviewed: Accent, Diogenes, Experimental Review, Vice Versa, View." In: Partisan Review, Vol. 8 (1), Jan/Feb., 1941, p. 72-76.

Joy, Camden. Book review: "Slash: A Punk Magazine from Los Angeles, 1977-80." In: Bookforum, Summer 2016, p. 48.

Schumann, Max. Magazine reviews: "Artists' Magazines," 20 artists' periodicals reviewed. Online: printedmatter.org, accessed 5/5/20.

9- Art Magazine special issues with ‘artists’ pages / magazine as exhibition

TriQuarterly, #32, Winter, 1975. [New Jersey]

Whole issued devoted to idea art. Editorial also discusses this issues as a ‘portable exhibition.’

Studio International, #924, Vol 180, July/August 1970. [London, UK] Coordinated by Seth Siegelaub who chose 6 critics (David Antin, Germano Celant, Michel Claura, Charles Harrison, Lucy R. Lippard and Hans Strelow to each edit an 8 page section of the magazine with “…artists that interest them.” Siegelaub refers to this intervention as a “…48-page exhibition…”.

10- Facsimile Editions

Acconci, Vitok Mayer Berndette (eds), 0 to 9: The Complete Magazine, Brooklyn, Ugly Duckling Press, 2006.

Blast, #1, 1914. Santa Rose: Black Sparrow Press, Santa Rose, 1997.

Blast, #2, 1915. Santa Rosa: Black Sparrow Press, Santa Rose, 1993.

Piene, Otto and Heinz Mack (eds). Zero. Cambridge: MIT Press, 1973. [3 issues published between 1958-1961]

Doc(k)s, morceaux choisis, 1976-1989, Paris, Al Dante, 2014.

FILE magazine, General Idea, Zurich, JRP/RIngier, 2008.

Perry, Mark. Sniffing Glue: The Essential Punk Accessory, Sanctuary Publishing, London, 2000.

Yeah, Tuli Kupferberg (1932-2010) and Sylvia Topp, #1-10 (1961-1965), New York: Primary Information, 2017, ed. 1000

The Dumb Ox (selections), Vol. 1 & 2, James Hugunin, 2014

11- Underground/Alternative Magazines

11.a- Books

De Donno, Emanule and Amedeo Martegani, Yes Yes Yes Alternative Press: '66-'77 from Provo to Punk, a+mbookstore, Milan and Viaidustriae publishing, Rome, 2015.

Fountain, Nigel. Underground: The London Alternative Press 1966-74. London: Routledge, 1988.

Friedman, Seth R., The Factsheet Five Reader, Three Rivers Press, New York, 1997.

Glessing, Robert. The Underground Press in America. Bloomington/London: Indiana University Press, 1970.

Kaplan, Geoff (ed), Power to the People: The Graphic Design of the Radical Press and the Rise of the Counter-Culture, 1964-1974, Chicago, UCP, 2013.

Rosenkranz, Patrick, Rebel Visions: The Underground Comix Revolution 1963-1975, Fantagraphics Books, Seattle, 2002.

11.b- Books on independent, pop culture, riot grrrl, fanzines, zines, queerzines and style press magazines

Andersson, Patrik and Judith Steedman. Inside Magazines: Independent Pop Culture Magazines. Corte Madera, CA: Gingko Press, 2002.

Bader, Sara, Punk in Print: The Complete Mott Collection, 1976-1980, London/New York, Phaidon Press, 2016

BIZOT, Jean-François, Free Press, la contre-culture vue par la presse underground. Paris, éd. Actuel, 2006

Bronson, AA and Philip Aarons (eds). Queer Zines. New York: Printed Matter, 2008/13

Bronson, AA and Philip Aarons (eds). Queer Zines 2. New York: Printed Matter, 2014.

Darms, Lisa (ed). The Riot Grrrl Collection. New York: The Feminist Press, 2014

DELPRAT, Etienne, Système DIY, Faire soi-même à l’heure du 2.0, Paris, Gallimard, coll. Alternatives

Dodge, Chris, (ed.), A Zine-ography...., 3rd edition, January 1996, Self-published, Minneapolis, (pamphlet).

Duncombe, Stephen. Notes from the Undergound: Zines and the Politics of Alternative Culture. London/New York: Verson, 1997.

Fischer, Marc. Underground Music Fanzines from the late 1980s – early 90s. Chicago: Public Collectors, 2011. [26 page pamphlet]

Green, Karen and Tristan Taormino (eds). A Girl’s Guide to Taking Over the World. New York: St. Martin’s Press, 1997. [compilation of articles from various zines]

Lefebrve, Antoine (ed), Artzines, #1-12.5, 2015-2018, Paris, France [periodical]

Losowsky, Andrew (ed). We Make Magazines: Inside the Independents. Luxembourg: Editions Mike Koedinger, 2009.

Losowsky, Andrew (ed). We Love Magazines, Luxembourg: Editions Mike Koedinger, 2007.

Bednarek,Nicola (ed), Making Magazines, Fresh Dialogue Seven/New Voices in Graphic Design, New York: Princeton Architectural Press, 2007. [magazines featured: Esopus, Bidoun & Topic]

Perkins, Stephen. Approaching the ‘80s Zine Scene: A Background Survey and Selected Annotated Bibliography. Iowa City: Plagiarist Press, 1992. [this 28 page pamphlet was circulated for feedback and suggestions]

Renard, David. The Last Magazine. New York: Universe Publishing, 2006.

Robbins, Trina. From Girls to Grrrla: A history of women’s comics from teens to zines. San Francisco: Chronicle Books, 1999.

Klanten Robert, Mollard Adeline, Hubner Matthias (eds.), Behind de Zines: Self-Publishing Culture Berlin, Gestalten, 2011.

HEIN, Florian, Paris, Do It Yourself! Autodétermination et culture punk, Le passager clandestin, 2012

MASSET, Delphine, Le fanzinat comme alternative au secteur de l’édition classique, Bruxelles, Action et Recherche Culturelles, 2013

PIEPMEIER, Alison, Girl Zines : Making Media, Doing Feminism, New York, NYU Press, 2009

RADWAY Janice. Girls, Zines, and the Miscellaneous Production of Subjectivity in an Age of Unceasing Circulation. 2001, repéré sur http://www.infoamerica.org/documentos_pdf/radway01.pdf

Robbins, Trina. From Girls to Grrrlz: A History of Women's Comics from Teens to Zines, San Francisco, Chronicle Press, 1999.

Triggs, Teal. Fanzines: The DIY Revolution. San Francisco: Chronicle Books, 2010.

TRIGGS, Teal, « Do it Yourself » Girl Revolution : LadyFest, Performance and Fanzine Culture. School of Printing & Publishing, London College of Commmunication, 2009, repéré sur http://ualresearchonline.arts.ac.uk/7875/1/TT%2Bbook.pdf

Warner, Harry, Jr., All Our Yesterdays: an informal history of science fiction fandom in the forties," Chicago: Advent Publishers, Inc., 1969.

Wertham, Fredric. The World of Fanzines. Carbondale/Edwardsviller: Southern Illinois University Press, 1973. [the first book on fanzines]

[11.b- Books /and exhibition catalogues/ on independent, pop culture, riot grrrl, fanzines, zines, queerzines and style press magazines]

Lecointre, Dider and Dominique Drouet (eds.). Graphzines 1977-2005: Une Collection, self-published, Paris,

Néret, Xavier-Gilles (ed), Graphzine Graphzone, Le Dernier Cri/Éditions du Sandre, Marseille, 2019.

11.c- Articles on independent, pop culture, riot grrrl, fanzines, zines, feminist, lesbian and style press magazines, alternative press

Baines, Jess, Tony Credland and Mark Pawson, "Doing it ourselves: countercultural and alternative radicsl publishing in the decade before punk," in Subcultures Network (eds), Ripped, Torn and Cut: Pop, Politics and Punk Fanzines from 1976, Manchester University Press, 2018.

CENTURI, Sara. «The power of zines and the women making them», The Establishment, 2016. http://www.theestablishment.co/2016/06/24/the-power-of-zines-and-the-women-making-them/

DUNN, Kevin et SUMMER FARNSWORTH, May, « “We are the revolution » : Riot Grrrl press, girl empowerment and DIY self-publishing », Women’s studies, n°41, mars 2012, p. 136-157

FAUCHEREAU Lise. « Graphzines et autres livres graphiques », Nouvelles de l’estampe, 2007, n°213, p. 20 et 21 et 2014, n°247, p. 48 à 52.

Friedman, Ken, Notes on the History of the Alternative Press. In: Contemporary Art/Southeast, Vol. 1, #3, Aug/Sept., 1977.

Ginsburg, David D., "Rock is a Way of Life: The World of Rock 'n' Roll Fanzines and Fandom," Serials Review, January/March, 1979, pgs. 29-46

Goldberg, Michael, "Rock & roll fanzines: a new underground press flourishes," Rolling Stone, March 29, 1984, pgs. 55, 57-59.

Marsh, Nicky, "Go Grrrl: The Zine and the PostLiterary," at: www.asu.edu, How2, Vol. 2, #3, Spring 2004.

MOUQUET, Émilie. « F comme fanzines... ». Bulletin des bibliothèques de France (BBF), 2015, n° 6, p. 38-53. Disponible en ligne : http://bbf.enssib.fr/consulter/bbf-2015-06-0038-005

Pepper, Rachel, "Spewing It Out," Artpapers, September, 1991, p. 11.

Pepper, Rachel, "Spew 2 You Too: Gay Fanzines Convene," Artpapers, April, 1992, pgs. 6-7.

Pink, Jessie, "Tracing the beginnings of the punk fanzine," Dazed & Confused, May 6, 2016

https://www.dazeddigital.com/artsandculture/article/30999/1/mark-perry-tracing-the-beginnings-of-the-punk-fanzine

Rau, Michelle, "Towards a History of Fanzine Publishing: From APA to Zines," Alternative Press Review, Spring/Summer, 1994, pgs. 10-13.

Rickey, Carrie. Writing (and righting) Wrongs: Feminst Art Publications. In: The Power of Feminist Art, New York: Harry Abram, 1994.

Roberts, Larry aks Larry-Bob, "The Queer Zine Scene," in: Perkins, Stephen and Lloyd Dunn (eds), New Observations, #101, May/June, 1994, p. 11.

Thomposon, Margo Hobbs. Dear Sisters: The Visible Lesbian in Community Art Journals. In GLQ: A Journal of Lesbian and Gay Studies, 12.3 (2006) p. 405-423.

Triggs, Teal, "Alphabet Soup: Reading British Fanzines." Visual Language, January, 1995, pgs. 73-87.

Viegener, Matias, "Gay Fanzines: "There's Troulbe in that Body" Cool Politics, Revolting Style," Afterimage, January, 1991, pgs. 12-14.

Wagner, Gretchen, Riot on the Page: Thirty Years of Zines by Women, in: Modern Woman, NY: MOMA, 2010

11.d- Articles on Activist Arts Magazines

Marmer, Nany, "Art & Politics '77," Art in America, 65 (July 1977), p. 64-66.

Olander, William. Which Brand is for You?: Magazines and Activist Arts, Upfront, Winter 1986-87, p. 16-18, 71.

11.e- Alternative Comix

Sabin, Roger. "Alternative Visions," in: Roger Sabin, Comics, Comix and Graphic Novels: A History of Comic Art, London: Phaidon, 2007, p. 177-215. Excellent historical overview.

Sabin, Roger. "Going Underground," in: Roger Sabin, Comics, Comix and Graphic Novels: A History of Comic Art, London: Phaidon, 2007, p. 92-129. Excellent historical overview.

Sabin, Roger. Comics, Comix & Graphic Novels: A History of Comic Art, Phaidon Press, London, 1996.

12- Miscellaneous R=review(s)

Alessandro, Ludovico, Post-Digital-Print: The Mutation of Publishing Since 1894, Santa Monica, RAM, 2013.

ARTmargins, Vol. 5, #3, 2016, special issue, Octavian Eşanu and Angela Harutyunyan (eds) "Art Periodicals Today, Historically Considered," MIT Press, Cambridge.

Bibby, Samuel, "Hidden Trails in Art History," Association of Art Historians, Vol. 40, #1, 2017. [review of Allen book] R

Book It! New Langton Arts, San Francisco, Sat., May 3, 2008. Two pages about this “one-day alternative publishing gathering and panel discussion." Panel: Gwen Allen, Noah Becker.

Bradley, Malcolm and James McFarlane, "Movements, Magazines and Manifestoes: The Succession from Naturalism", in Bradley, Malcolm and James McFarlane, Modernism 1890-1930, Penguin Books, New York, 1991 (1976), pgs. 192-205.

Classeurs (à anneaux, à soufflets) et documents apparentés, plaquette d’exposition, texte de Didier Mathieu, Saint-Yrieix-La-Perche, CDLA, 2008.

Cork, Richard. The Social Role of Art, Chapter 6: The Magazines of Art. London: Gordon Fraser, 1979, p. 98-99.

Cork, Richard. Pitfalls and Priorities, in: Studio International, July/Aug, 1975.

Documenta Magazine, No. 1-3, 2007 Reader. Taschen, Cologne, 2007.

Documenta Magazine, No. 1, 2007 Modernity? Taschen, Cologne, 2007. Georg Schöllhammer coordinated this project for Documenta 12 and contacted over 90 magazines (art, media, culture & theory) to respond to the themes for this documenta. These were then published in 3 issues of documenta magazine.

Denegri Ješa, « Inside or Outside “Socialist Modernism”? Radical Views on the Yugoslav Art Scene, 1950-1970 », in cat. Impossible Histories. Historical Avant-Gardes, Neo-Avant-Gardes, and Post-Avant-Gardes in Yugoslavia, 1918-1991, Dubravka Djurić et Miško Šuvaković (eds.), Cambridge / London, MIT Press, 2003, p. 170-208.

Donguy Jacques, Le Geste a la parole. Entretiens avec Julien Blaine, Jean-Luc Parant, Bernard Heidsieck, Michèle Métail, Robert Filliou, Jean-François Bory, Paris, Thierry Agullo, 1981.

Donguy Jacques, Poésies expérimentales – Zone numérique, Dijon, Presses du Réel, 2007.

Feigenbaum, Anna, "Wriitten in the Mud: (Proto)Zine-making and autonomous media at the Greenham Common Women's Peace Camp," in Feminist Media Studies, Vol. 13, #1, 2012, Taylor & Francis Online.

Felfe, Robert, Joseph Imorde, Anna Minta, and Änne Söll, Berichte, #4, 2012, special issue on Künstlerzeitschriften (Artists' Magazines), Berlin.

Fusco Maria, Hunt Ian (eds.), Put about: A Critical Anthology on Independent Publishing, London, Book Works, 2004.

Hammon, Harmony. Lesbian Art in America. New York: Rizzoli, 2000. Pages 40-41 addresses lesbian magazines.

Jacob, Luis. Golden Streams: Artists’ Collaboration and Exchange in the 1970s, Blackwood gallery, University of Toronto at Mississauga, Oct. 31 – Dec. 15, 2002. Canadian groups: Image Bank, General Idea, Banal Beauty Inc., New York Corres Sponge Dance School of Vancouver.

Jenkins, Susan L., Information, Communication, Documentation: An Introduction to the Chronology of Group Exhibitions and Bibliographies, in Ann Goldstein’s, Reconsidering the Object of Art: 1965-1975, Cambridge: MIT, 1995. Jenkins’ texts explores alternatives and publishing etc..

John Benjamins Antiquariate B.V., "Miscellaneous Sales Catalogues," Amsterdam. [produces excellent online catalogues for art and literature periodicals, a wonderful resource]

Kimmerich gallery, The Page, Berlin. Curators: John Stezaker & Matthew Higgs. Exhibit: May 20 – July 16, 2010. The artists’ page is a well-established genre.

Marquardt, Virginia, Art and Journals on the Political Front, 1910-1940. Florida: University Press of Florida, 1997. 8 articles on a variety of international magazines and topics related to them.

Mœglin-Delcroix Anne, « Art for the occasion / Art de circonstance », trad. Patricia Railing, in cat. Extra Art: A Survey of Artists’ Ephemera, 1960-1999, Steven Leiber (ed.), San Francisco, CCAC / Smart Art Press, 2001, p. 2-19.

Palattella, John. A to D: Writing the Lower East Side. Sept/Oct/Nov, Bookforum, 2006, p. 32, 34.

Pawson, Mark, "Comix & Zine Reviews," Variant, #43, Spring 2012, pg. 7-9.

Pezzini, Isabella and Jacques Gubler, "Architecture in journals of the 'avant-garde.' Part 1, Art Libraries Journal, 9(1), Spring 1984, p. 3-43.

Pezzini, Isabella and Jacques Gubler, "Architecture in journals of the 'avant-garde.' Part 2, Art Libraries Journal, 9(2), Summer, 1984, p. 40-65.

Poésure et Peintrie, catalogue d’exposition, Bernard Blistène et Véronique Legrand (eds.), Marseille, Musées de Marseille – Réunion des Musées Nationaux, 1993.

ROCHA, Michel Zózimo da. Estratégias expansivas: publicações de artistas e seus espaços moventes. Porto Alegre: Edição do Autor, 2011.

SILVEIRA, Paulo Antonio de Menezes Pereira da. O olhar pericial na arte: publicações, efêmera e memorabilia. Rio de Janeiro: ANPAP – Encontro da Associação Nacional de Pesquisadores em Artes Plásticas, 2012.

Strand, John, "Polemics and Provocation in Paris: The Art Magazine Comes of Age," Art International, #5, Winter, p. 24-34.

Taylor, Felicity. Constellation & Correspondences: Networking between artists 1970-1980. Exhibition: National gallery of Canada Library Archives, 15 Sept. – 24, Dec. 2010. Interesting text about history of printed matter in alternative art in Canada.

Turner Fred, From counterculture to Cyberculture: Stewart Brand, the Whole Earth Network and the Rise of Digital Utopianism, Chicago, UCP, 2006.

Walker, John, A. "At a Distancer: Precursors to Art and Activism on the Internet," The Art Book, Vol. 13, #1, February 2006.

Walsh, Maria and Mo Throp (eds), Twenty Years of MAKE Magazine, I.B. Tauris, London, New York, 2015,

Wawrzyniak, Martynka (ed), The Newstand: Independently Published Zines, Magazines & Artists Books, Lorimer Street/Metropolitan Street Subway, New York, June 2014 - January, 2014, Skira Rizzoli, New York, 2016.

Young, Karl. Forewords to Assembling #12 & 13, circa 1986. Source: www.spunk.org

13- Little Magazines

13.a- Books

Anderson, Elliott and Mary Kinzie (eds). The Little Magazine in America: Modern Documentary History. New York: Pushcart Press, 1978.

Beetham Margaret, “Time: Periodicals and the Time of the Now », Victorian Periodicals Review Volume: 48 Issue 3 (2015)

Beetham Margaret, A Magazine of Her Own? Domesticity and Desire in the Woman's Magazine, 1800-1914, Taylor & Francis Ltd / Books, 1996.

Beetham Margaret, « Open and Closed: The Periodical as a Publishing Genre », Victorian Periodicals Review, Vol. 22, No. 3 (Fall, 1989), pp. 96-100

Brooker, Peter, and Andrew Thacker (eds), The Oxford Critical and Cultural History of Modernist Magazines: Volume I: Britain and Ireland 1880-1955, Oxford University Press, Oxford, 2009.

Brooker, Peter, and Andrew Thacker, The Oxford Critical and Cultural History of Modernist Magazines: Volume II: North America 1894-1960, Oxford University Press, Oxford, 2012.

Brooker, Peter, and Sascha Bru, Andrew Thacker (eds), The Oxford Critical and Cultural History of Modernist Magazines: Volume III: Europe 1880 - 1940, Oxford University Press, Oxford, 2013.

Churchill, Suzzanne W., and Adam McKible, Little Magazines & Modernism, Ashgate, Farnham, 2007.

Colomina, Beatrice and Craig Buckley (eds), Clip, Stamp, Fold: The Radical Architecture of Little Magazines, 196X — 197X, Actar and Media and Modernity Program, Princeton University, 2010.

Frederick Hoffman, C. Allen & C. Ulrich (eds). The Little Magazine: A History and a Bibliography, Princeton: Princeton University Press, 1946.

Görtschacher, Wolfgang, LIttle Magazine Profiles: The Little Magazines in Great Britain 1939-1993, University of Salzburg, Austria, 1993.

Marek, Jayne E., Women Editing Modernism: "Little" Magazines & Literary History," The University Press of Kentucky, Lexington, 1995.

McMillan, Douglad, Transition: The History of a Literary Era, George Braziller, New York, 1976.

Merritt, Clifton, On Small Press as Class Struggle, Samisay, Vermont, 1976 [pamphlet]

Patterson, Ian, "New York Poets: Folder (1953-6); Neon (1954-60); and Yugen (1958-62)," in: Brooker, Peter and Andrew Thacker (eds), The Oxford Critical & Cultural History of Modernist Magazines, Vol., II

Seita, Sophie, Provisional Avant-Gardes: Little Magazine Communities from Dada to Digital. Stanford University Press, Stanford, 2019.

Soar, Geoffrey and David Miller, Interaction and Overlap, Nov. 10 – Dec. 22^nd,workfortheeyetodo: London, 1994. [exhibition booklet]

13.b- Articles

Bennett, Davie, "Periodical Fragments and Organic Culture: Modernism, The Avant-Garde, and the Little Magazine," Contemporary Literature, 30(4) Winter, 1989, p. 480-502.

Benstock, Shari and Bernard Benstock, "The Role of Little Magazines in the Emergence of Modernism," The Library Chronicle, University of Texas, Austin, Vol. 20, #4, 1991, pgs. 69-87.

Connolly, Cyril, Fifty Years of Little Magazines, Art & Literature, #1, March 1964.

Gurny, Susan R., A bibliography of little magazines in the visual arts in the U.S.A., Art Libraries Journal, Vol. 6, #3, Autumn, 1981.

Greenberg, Clement, "The Renaissance of the Little Mag," Partisan Review, #8, Jan/Feb., 1941, pgs. 72-76.

Gurney, Susan R., A bibliography of little magazines in the visual arts in the U.S.A., Art Libraries Journal, Vol., 6, #3, Autumn 1981, pgs. 12-55

Hornick, Lita, "Kulchur Magazine," in: Hornick, Lita, The Green Fuse: A Memoir, Giorno Poetry Systems, New York, 1989, p. 23-39.

Soar, Geoffrey and R.J. Ellis, U.K. Little Magazines: An Introductory Survey, Serials Review, Spring 1982.

Pound Ezra, « Small Magazines », The English Journal, November 1930, vol. XIX, n° 9, pp. 689-704

14- Artists’ Books

Carrion, Ulises, "Bookworks Revisited," The Print Collector's Newsletter, Vol., XI, #1, April 1980, pgs. 6-9.

Celant, Germano, « Book as Artwork 1960/1970 », Data, vol. I, n° 1, Settembre 1971

Daniels, Sarah. The Artist’s Book” An Alternative to Alienation. Contemporary Art/Southeast, 1 (3) Aug/Sept, 1977, GA.

Desjardin, Arnaud, The Book on Book on Artists Books, The Everyday Press, London, 2013.

Drucker, Johanna, The Century of Artists' Books, Granary Books, New York , 1995.

Freeman, Brad (ed), Journal of Artists' Books, #1, 1994 - #47/48, 2020.

Freeman, Brad, "Artist/Author: Contemporary Artists' Books A Review of the Exhibition Catalogue," Journal of Artists' Books, #11, 1999, pgs. 25-29.

Guardare, Raccontare, Pensare, Conservare, quattro percosi del libro d’artista dagli anni’ 60 ad oggi, Anne Mœglin-Delcroix, Giorgio Maffei, Liliana Dematteis et Annalisa Rimmaudo (eds.), Mantoue, Casa del Mantegna / Corraini, 2004

Guest, Tim (ed.) and Germano Celant, Books by Artists, Art Metropole, Toronto, 1981.

Lauf, Cornelia and Clive Phillpot, Artist/Author Contemporary Artists' Books, New York, Distributed Art Publishers and The American Federation of Arts, 1998. Curators: Cornelia Lauf and Clive Phillpot. Exhibition (travelling to 6 institutions): Weatherspoon Art Gallery, February 8 - April 12, 1988.

Linker Kate, « The artists’ Book as an alternative Space », Studio International, vol. 195, n° 990, January 1980, p. 75-79.

Lyon, Joan. Artists’ Books: A Critical Anthology and Sourcebook, New York: Visual Studies Workshop, 1987.

Mœglin-Delcroix Anne, Esthétique du Livre d’Artiste, 1960-1980, Paris, Jean-Michel Place, 1997. (édition revue et augmentée sous le titre Esthétique du livre d’artiste, Une introduction à l’art contemporain, Marseille, Le Mot et le Reste, 2012).

Perkins, Stephen, "Exploding Books and Other Stories from the World of Artists' Books: An interview with Max Yela," in exhibition catalogue for exhibition How to Read A Book: An Artists' Books Reading Room, curator Stephen Perkins, Lawton Gallery, Green Bay, October 11 - November 1, 2012.

Perneczky, Géza, The Artists' Books in European View: the Soul of Books or the Third Generation ?, Self-published, Cologne, 1987

Phillpot Clive, Booktrek: Selected Essays on Artists’ Books (1972-2010), Zurich, JRP\Ringier, 2013.

Wilson, Martha. Artists Books As Alternative Space. http://franklinfurnace.org, accessed 1/20/16.

Wilson, Martha, "Artists' Books As Alternative Space", The New Artspace: A Summary of Alternative Visual Arts Organizations, conference, April 26 - 29, 1978, p. 35-37.

Zweig, Janet. Artists, Books, Zines. Afterimage, July/August, 1998, p. 4-5.

Publier]...[Exposer : les pratiques éditoriales et la question de l'exposition, sous la dir. de Clémentine MÉLOIS, Nîmes : Ecole supérieure des beaux-arts, 2012

15- Network / Mail Art books, articles

Berswordt-Wallrabe, Dr. Kornelia von (ed.), Osteuropa Mail Art Im Internationalen Netzwerk: Kongress Dokumentation, Staattliches Museum, Schwerin, July, 21 - September 9, 1996.

Berswordt-Wallrabe, Dr. Kornelia von (ed.), Osteuropa Mail Art Im Internationalen Netzwerk, Staattliches Museum, Schwerin, July, 21 - September 9, 1996.

Blaine Julien, « Autour du “Mail Art”. Entretien avec Julien Blaine » par Pierre Musso et Jean-Marc Vernier, Quaderni, n° 3, hiver 1987-1988, p. 85-99.

Borillo Mario, « Le Mail Art : poésie expérimentale et communication parallèle », Quaderni, n° 3, hiver 1987/88, p. 101-105.

Carr, C., "Wait a Minute, Mr. Postman," Village Voice Literary Supplement," February 17th, 1985, p. 17.

Carrion, Ulises, "Mail Art and the Big Monster," JOURNAL, #20, October/November, 1978, p. 54-56.

Fischer, Herve, Art et Communication Marginale, Balland, 1974.

Held John (Jr.), « The Mail Art Exhibition: personal worlds to cultural strategies », in At a distance. Precursors to Art and Activism on the Internet, pp. 89-114.

Janssen, Ruud, Mail-Interviews, Part 1, Breda, Tam Publication, 2008, http://jas.faximum.com/ library/tam/tam_33.htm [01/10/2014].

Perneczky, Géza (ed), Network Atlas: Works and Publications, Volume 1: A-J, Soft Geometry, Cologne, 1998.

Perneczky, Géza (ed), Network Atlas: Works and Publications, Volume 2: K-Z, Soft Geometry, Cologne, 1998.

Röder, Kornelia, Topolgie und Funktionsweise des Netzwerks der Mail Art: Seine spezifische Bedeutung für Osteuropa von 1960 bis 1989, VG Bild-Kunst, Bonn, 2008.

de Salvo, Donna, and Catherine Gudis (eds), Ray Johnson: Correspondences, Flammarion, Paris, New York, 1999, curator: Donna de Salvo, Ray Johnson: Correspondences, Whitney Museum of Art, January 14 - March 21, 1999 and Wexner Center for the Arts, Ohio State University, Columbus, September 17 - December 31, 2000

Saper Craig, Networked Art, Minneapolis, University of Minnesota Press, 2001.

Welch, Chuck (ed.), Eternal Network: A mail art anthology, Calgary, University of Calgary Press, 1995.

Winnes, Friedrich, and Lutz Worhlrab, Mail Art Szene DDR 1975-1990, Haude & Spenersche , Berlin, 1994

Zack, David, "An Authentik and Historikal Discourse on the Phenomenon of Mail Art," Art in America, January/February 1973.

16- Articles/writings about Individual People

Huberman, Anthony. Talent is Overrated (on R. Filliou). Artforum, Nov. 2009, p. 109-10.

Lovelace, Carey. Bringing It All Back Home (on Arlene Raven). Artforum, November, 2006.

p. 61-62.

ED/MN – Editions and Multiples 1967/2016, Maurizio Nannucci, Viaindustriae, 2016.

herman de vries, les livres et les publications, cat. raisonné, Saint-Yrieix-La-Perche, CDLA, 2005.

lefevre jean claude, publications / éditions 1972-2007, Saint-Yrieix-La-Perche, CDLA, 2008.

17- The Text, The Page, The Magazine Page

Boivent, Marie, « La pratique de l’insert : quand l’espace publicitaire devient lieu d’exposition », Parasite(s), une stratégie de création, sous la dir. de Pascale Borrel et Marion Hohlfeldt, Paris, L’Harmattan, avril 2010.

Boivent, Marie, « Infiltrer la presse : de la parution à la disparition », Pratiques, n° 21, sous la dir. de Leszek Brogowski, automne 2010.

Boivent, Marie, Brogowski Leszek, « Intercaler l’art dans un quotidien », co-écrit avec Leszek Brogowski, Sans niveau ni mètre, n° 12, janvier 2010.

Bouärd, Marie de. « Les espaces d’exposition imprimés » In : L’Esthétique du livre, Nanterre : Presses universitaires de Paris Ouest, 2010 - http://books.openedition.org/pupo/1892

Bury, Stephen (ed), Breaking the Rules: The Printed Face of the European Avant Garde 1900-1937, The British Library, 2007.

Cohen, Ronny, "Seeing Between the Pages," Artforum, Feb. 1980. [How Futurism has influenced contemporary magazine design]

Concannon, Kevin, Nothing Is Real: Yoko Ono’s Advertising Art, in: Yes Yoko Ono, New York: Japan Society and H. Abrams, 2000, exhibit catalogue.

Drucker, Johanna. The Visible Word: Experimental Typography and Modern Art, 1909-1923, University of Chicago Press, Chicago & London, 1994.

Drucker, Johanna. Figuring the Word, New York: Granary Books, 1998.

Foster, Stephen, "The Prerequisite Text," Visible Language, XXI ¾, 1988, p. 313-333. [Explores the avant-garde use of text and issues related to this]

Graham, Dan, My Works for Magazine Pages “A History of Conceptual Art.” Kunst & Museum Journal, Netherlands, Vol. 4, #6, 1993, p. 1-7.

Kotz, Liz, Words to be Looked At: Language in 1960s Art, MIT Press, Cambridge, Massachusetts and London, England, 2010.

Hill, Crag, and Nico Vassilakis, The Last VISPO Anthology: visual poetry 1998-2008, Fantagraphics Books, Seattle, 2012.

Learn, Beth (ed), "Language & Structure in North America," Curator, Richard Kostelanetz November 4 - 3, 1975, Kensington Arts Association, Toronto, Canada.

Moore, Barbara and Jon Hendricks, "The Page as Alernative Space—1950 to 1969", in: Lyons, Joan, Artists' Books: A Critical Anthology and Sourcebook, Visual Studies Workshop, New York,1987, p. 87-95.

Moore, Barbara and Jon Hendricks. The Page as Alernative Space—1950 to 1969. In: flue, vol. 1, #3, Dec. 1980.

Perednik, Jorge Santiago, Fabio Doctorovich and Carlos Estévez (eds), El Punto Ciego (The Blind Spot): Antologia de la Poesía Visual Argentina de 7000 a.C. al Tercer Milenio, San Diego State University Press, San Diego,2016.

Phillpot, Clive (ed). "Words and Wordworks," Art Journal, #2, Vol 42, Summer, 1982. Phillpot sought "visual artists who work with words” to submit works for this issue.

Rorimer, Anne, “Siting the Page: Exhibiting Works in Publications – Some Examples of Conceptual Art in the USA”, in: Newmann, Michael and Jon Bird (eds), Rewriting Conceptual Art, London: Reaktion Books, 1999.

The Altered Page: Selections from the The Ruth and Marvin Sackner Archive of Congrete and Visual Poetry, curato Marvin Sackner, February 6 - March 26, Book Arts Gallery, New York, 1988.

Visible Language, Volume XXI Number 3/4, Summer/Autumn 1987, special issue "The Avant-Garde and the Text".

Stezaker, John and Matthew Higgs, The Page, Kimmerich, Berlin, May 20-July 16, 2010.

18- Other Related Books

Dyment, Dave and Gregory Elgstrand (eds), One For Me And One To Share: Artists' Multiples and Editions, YYZBOOKA, Toronto, 2012.

Ford, Charles Henri (ed), View Parade of the Avant-Garde: An Anthology of View magazine (1940-1947), Thunder's Mouth Press, New York, 1992.

Friedman, Ken (ed), The Fluxus Reader, Academy Editions, Chichester, UK, 1998.

Gibson, Ann Eden, Issues in Abstract Expressionism: The Artists-Run Periodicals, Ann Arbor, UMI Research Press, 1990.

Heller, Steve and Teresa Fernandes (eds), Magazines: Inside & Out, PBC International, Inc., Oxnard, CA.

Henderson, Bill (ed). The Publish-It-Yourself Handbook: Literary Tradition & How-To. New York: The Pushcart Book Press, 1973.

Heller, Steven, Merz to Emigre and Beyond: Avant-Garde Design of the Twentieth Century, Phaidon, London/New York, 2003.

Hendrick, Jon (ed), Fluxus Codex, The Gilbert and Lila Silverman Fluxus Collection, and Harry N. Abrams, New York, 1988.

Higgins, Hannah, Fluxus Experience, University of California Press, Berkeley and Los Angeles, California, 2002.

Hoffberg, Judith A., Umbrella: The Anthology, Umbrella Editions, Santa Monica, 1999.

Kellein, Thomas. Frohliche Wissenschaft: Das Archiv Sohm. Staatsgalerie Stuttgart, Germany, 1986.

Kritische Berichte, #4, 2012. Berlin-based periodical and this special issue has 4 articles on artists’ periodical in English.

Leslie, Jeremy, The Modern Magazine: Visual Journalism in the Digital Era, Laurence King Publishing, London, 2013, reprinted 2014.

Libraire Didier Lecointre Dominique Drouet. Graphzines 1977-2005. Paris: didierlecointredominiquedrouet, nd. [sales catalogue for a collection of graphzines, includes checklist for each magazine]

Politi, Giancarlo, and Helena Kontova, Flash Art: Two Decades of History, MIT Press, Cambridge, Massachusetts, 1990.

Sarenco, and Paul de Vree (eds), factotumbook 1: Lotta Poetica 19761-1975, EditiTipolito Maghina, Brescia, Italy, 1977.

Sims Reed, Artists books, periodicals, ephemera, photobooks + multiples 2019, Sims Reed Ltd., London, 2019.

Sohm, Hans., (ed), Happening & Fluxus: Materarialien, Kölnischer Kunstverein, Cologne, 6.2.1970 - 6.1.1971. Curators, Hans Sohn and Harald Szeeman. Happening & Fluxus was published in conjunction with the exhibition of the same name curated by Hans Sohm and Harald Szeemann and held at the Kölnischer Kunstverein, Cologne, in 1970. The catalogue provides a thorough chronology of Happenings and Fluxus performances and events that occurred from 1959 to the end of 1970, and is extensively illustrated with black-and-white reproductions of posters, programs, advertisements, photographs, and ephemera. It also includes a bibliography, organized by artist, that provides a reference list of monographs and reviews. online accessed: 5.18.20

Williams, Emmett and Ann Noël (eds), Mr. Fluxus: A Collective Portrait of George Maciunas 1931-1978, Thames and Hudson, New York, 1997.

19- Other Exhibition Catalogues: Printed Matter, Avant-garde, Fluxus, graphzines, etc.

Andel, Jaroslav, Avant-garde Page Design, 1900-1950, New York, Delano Greenidge, 2002.

Anderson, Simon, « Fluxus Publicus », in cat. In the Spirit of Fluxus, Janet Jenkins (ed.), Walker Art Center, Minneapolis, 1993).

Benjamins, John and Philippe Luiggi (eds), The Sixties: Art, Literature and the Underground, Joint Catalogue No. 11, nd.

Boulanger, Sylvie, « Publish and be damned », in cat. Transmission dérivée (Cneai =), Nice, Villa Arson, 2006, p. 2-3.

Bury, Stephen. Breaking the Rules: The Printed Face of the European Avant Garde 1900-1937. London: The British Library, 2007.

Critique et Utopie, Livres d’artistes, plaquette d’exposition, La Criée centre d’art contemporain, Rennes, 2001.

Goldstein, Ann and Anne Rorimer (eds). Reconsidering the Object of Art: 1965-1975. The Museum of Contemporary Art, Los Angeles. Cambridge: MIT Press, 1995.

Kellein, Thomas (ed), Fröhlich Wissenschaft: Das Archiv Sohm, Staatsgaleris Stuttgart, 1986. Curators Hans Sohm, Angela Wagner and Dieter Scholz, Staatsgaleris Stuttgart, 1986. Curators Hans Sohm, Angela Wagner and Dieter Scholz, November 11, 1986 - January 11, 1987.

Kiosk: Modes of Multiplication, Christoph Keller, Michael Lailach (eds.), Zurich, JRP/Ringier, 2009.

Leiber, Steven (ed), Extra Art: A Survey of Artists' Ephemera, 1960-1999, California College of Arts and Crafts, Curator: Steven Leiber, October 12 - December 8, 2001.

Milman, Estera, Fluxus and Friends: Selections from the Alternative Traditions in the Contemporary Arts Collection. University of Iowa Museum of Art, 1988, Iowa City. Curator: Estera Milman. Exhibition: Jan. 23 – March 13, 1988.

Milman, Estera, Alternative Traditions in the Contemporary Arts: Subjugated Knowledges and the Balance of Power. The University of Iowa Museum of Art, 1999. [this publication celebrate the 20th Anniversary of the University of Iowa's, Alternative Traditions in the Contemporary Arts (ATCA) project and for 4 exhibitions (1998-2000) curated by Estera Milman, accompanied with essays by Ken Friedman, Stephen Perkins and Owen Smith]

Phillpot Clive, « Fluxus: Magazines, Manifestoes, Multum in Parvo », in Fluxus, Clive Phillpot et Jon Hendricks, New York : Museum of Modern Art, 1988, pp. 9-16.

Visible Language, Vol. XXI. Number 3/5, Summer/Autumn 1987. Special issue “The Avant-Garde and the Text,” a travelling exhibition 1988-1990.

herman de vries, lefevre jean claude, oxo - pascal le coq, hans waanders, éric watier, catalogue d’exposition, Didier Mathieu (ed.), Saint-Yrieix-la-Perche, CDLA / Pays-Paysage ; Morlanwelz, Musée royal de Mariemont, 2007.

Wye, Deborah and Wendy Weitman (eds). Eye on Europe: prints, books & multiples: 1960 to now. The Museum of Modern Art New York. New York: MOMA, 2006.

artists' periodicals

Monday, June 13, 2022

Stephen Perkins and Marie Boivent, A Bibliography of Artists' Periodicals & Related Printed Matter [a work in progress]